L'art du monotype
Les uvres graphiques constituent le cur de la collection de la galerie de la ville de Wolfsburg et ce qui lui confère sa position distincte, bon nombre ont vu le jour dans l'atelier d'imprimerie du château de Wolfsburg. Le projet d'exposition (avril à août 2022) ' Surprise. L'art du monotype ' était centré sur le monotype et l'ouvrage qui suit présente donc cette technique sous de multiples facettes à l'aide d'uvres d'artistes du monde entier. Le monotype associe de manière fascinante la peinture, le dessin, et le graphisme. Ce procédé, apparu vers 1640, a connu un triomphe inattendu au xixe siècle, les impressionnistes en particulier ont exploité en virtuoses les potentiels de ce moyen d'expression à la jonction entre le dessin et la gravure qui invite à la transposition rapide d'une image et traduit efficacement l'écriture artistique en image imprimée. Nous présentons ici des monotypes de nombreux artistes, parmi lesquels d'éminents représentants de l'art moderne tels que John Cage ou Edgar Degas et les travaux de créateurs contemporains comme Herbert Brandl, Shara Hughes, Mia Chaplin, Günther Förg ou Gerhard Richter, parmi bien d'autres.
Dietmar Elger (*1958, Hannover) studied art history, history and literature at the University of Hamburg and completed his doctorate in 1984 on Kurt Schnitters' ' Merzbau' . He is considered the best connoisseur of Gerhard Richter's work and has published numerous books on Gerhard Richter's oeuvre and had great international success with his biography Gerhard Richter: Painter, which has been translated into English as well as many other languages. Since 2006 he is head oft he new founded Gerhard Richter Archive as an institute of the Dresden State Art Collections. He is currently working on a ne Susanne Pfleger (*1957, Mannheim) says about her work after now she has retired: ' For thirty years, I conceived and realized exhibitions with contemporary artists at the Stä dtische Galerie Wolfsburg, developed new formats, published or co-produced catalogs and artists' books. I was the gallery's managing director for 25 of those years.' Amongst others she worked together with Silvia Bä chli, Angela Bulloch, Tony Cragg, Richard Decon, Katharina Fritsch, Candida Hö fer, Thomas Schü tte, or Tal R. In 1998 Matthias Kunz (*1967, Munich) joined as partner, and is now one oft he owner of Knust Kunz Gallery Editions in Munich. The Knust Kunz Gallery Editions was founded in 1982 under the name Galerie Sabine Knust. Continuous collaborations with artists like Georg Baselitz, Per Kirkeby, A.R. Penck, Markus Lü pertz, Jö rg Immendorff, and Imi Knoebel formed an ongoing presentation of their print and graphic oe uvre for over 30 years. Friedemann Malsch (*1955, Bielefeld) came to Liechtenstein in 1996 after completing his studies, doctorate and first exhibitions, where he first worked as curator of the Liechtenstein State Art Collection and then became founding director of the Kunstmuseum Liechtenstein. From 2000 until his retirement this year, he was director of the museum.
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